© 2026 by YEN-CHI CHEN.
Yen-Chi CHEN
Chen, Yen-Chi (b. 1998, Tainan, Taiwan) has focused since 2023 on the politics of sound as the core of his artistic practice and research. His work examines how sound is shaped within specific contexts and structures, and how it subsequently functions as a tool for regulation and for influencing behavior. Working primarily with installation, video, and found objects, Chen investigates the operations of sound within institutional, technological, and cultural systems. His practice further extends to bodily labor, language, and non-human entities—including animals and insects—in an effort to reveal how power remains latent and operative within everyday sonic environments.
Chen has received several awards, including an Honorable Mention at the 2025 Taipei Art Awards, First Prize at the 2024 Kaohsiung Award, and the 2023 S-AN Aesthetics Award. He has participated in artist residencies at the Fukuoka Asian Art Museum (FAAM) in 2025 and the Hsinchu City Art Site Railway Art Warehouse in 2025 and 2022.
陳彥齊
1998年生於臺灣臺南。自2023年起以「聲音的政治性」為創作與研究核心，關注聲音如何在特定脈絡與結構中被形塑，並進一步成為規訓與影響行為的工具。其作品多以裝置、錄像與現成物為媒介，探討聲音在制度、技術與文化系統中的運作方式，並延伸至身體勞動、語言，以及非人動物與昆蟲等對象，試圖揭示權力如何潛伏並作用於日常聲響之中。過去曾獲「2025臺北美術獎」優選、「2024高雄獎」首獎、「2023世安美學獎」等，並曾駐村於日本福岡亞洲美術館（FAAM，2025）及新竹市鐵道藝術村（2025、2022）。