© 2026 by YEN-CHI CHEN.
Selected Works

There Is No Fairy Godmother Here, Echo doll, single-channel video, ultrasonic directional speaker, monitor speaker, PLA, audio recording, paper, LED light, acrylic, Dimensions variable, 2025 (Photo by Taipei Fine Arts Museum)

No Miracles, Ultrasonic Directional Speaker, Monitor Speaker, PLA, Single-channel Video, 5 minutes 50 seconds, Dimensions variable, 2025 (Photo by Taipei Fine Arts Museum)

Repeat After Me, Echo Doll, Single-channel Video, 3 minutes 40 seconds, Dimensions variable, 2025 (Photo by Taipei Fine Arts Museum)

There Is No Fairy Godmother Here, PLA, LED Light, Acrylic, Dimensions variable, 2025 (Photo by Taipei Fine Arts Museum)

There Is No Fairy Godmother Here, Echo doll, single-channel video, ultrasonic directional speaker, monitor speaker, PLA, audio recording, paper, LED light, acrylic, Dimensions variable, 2025 (Photo by Sung, Hsiang-Pang)

There Is No Fairy Godmother Here, PLA, LED Light, Acrylic, Dimensions variable, 2025 (Photo by Sung, Hsiang-Pang)

There Is No Fairy Godmother Here, PLA, LED Light, Acrylic, Dimensions variable, 2025 (Photo by Sung, Hsiang-Pang)

No Miracles, Ultrasonic Directional Speaker, Monitor Speaker, PLA, Single-channel Video, 5 minutes 50 seconds, Dimensions variable, 2025

Over the Land, Single-channel Video, Audio Recording, PLA, Paper, Acrylic, 6 minutes, 3 minutes 24 seconds, 26 × 35 cm, Dimensions variable, 2025 (Photo by Sung, Hsiang-Pang)

Involved in, pressure sensors, monitoring speakers, carpet, sponge, found objects, dimensions variable, 2 min 32 sec, 2024 (Photo by dulub.studio)

Involved in, pressure sensors, monitoring speakers, carpet, sponge, found objects, dimensions variable, 2 min 32 sec, 2024 (Photo by dulub.studio)

Involved in, pressure sensors, monitoring speakers, carpet, sponge, found objects, dimensions variable, 2 min 32 sec, 2024 (Photo by dulub.studio)

Involved in, pressure sensors, monitoring speakers, carpet, sponge, found objects, dimensions variable, 2 min 32 sec, 2024 (Photo by dulub.studio)

Involved in, pressure sensors, monitoring speakers, carpet, sponge, found objects, dimensions variable, 2 min 32 sec, 2024 (Photo by dulub.studio)

Enter, single-channel video, passive speakers, amplifier, dimensions variable, 1 min 30 sec, 2024 (Photo by dulub.studio)

Enter, single-channel video, passive speakers, amplifier, dimensions variable, 1 min 30 sec, 2024 (Photo by dulub.studio)

Enter, single-channel video, passive speakers, amplifier, dimensions variable, 1 min 30 sec, 2024 (Photo by dulub.studio)

Do you even consider the context?, pressure sensors, monitoring speakers, carpet, sponge, found objects, single-channel video, passive speakers, amplifier, 2 min 32 sec, 1 min 30 sec, 2024 (Photo by dulub.studio)

Turn the Volume Down, acoustic foam, three-channel video, sound installation, found objects, 20 min, 3 min 9 sec, dimensions variable, 2024

Turn the Volume Down, acoustic foam, three-channel video, sound installation, found objects, 20 min, 3 min 9 sec, dimensions variable, 2024

Turn the Volume Down, acoustic foam, three-channel video, sound installation, found objects, 20 min, 3 min 9 sec, dimensions variable, 2024

Turn the Volume Down, acoustic foam, three-channel video, sound installation, found objects, 20 min, 3 min 9 sec, dimensions variable, 2024 (Photo by Studio Millspace)

Turn the Volume Down, acoustic foam, three-channel video, sound installation, found objects, 20 min, 3 min 9 sec, dimensions variable, 2024 (Photo by Studio Millspace)

Turn the Volume Down, acoustic foam, three-channel video, sound installation, found objects, 20 min, 3 min 9 sec, dimensions variable, 2024 (Photo by Studio Millspace)

Turn the Volume Down, acoustic foam, three-channel video, sound installation, found objects, 20 min, 3 min 9 sec, dimensions variable, 2024 (Photo by Studio Millspace)

Turn the Volume Down, acoustic foam, three-channel video, sound installation, found objects, 20 min, 3 min 9 sec, dimensions variable, 2024 (Photo by Studio Millspace)

Turn the Volume Down, acoustic foam, three-channel video, sound installation, found objects, 20 min, 3 min 9 sec, dimensions variable, 2024 (Photo by Studio Millspace)

Bodily Pressure Test_None, PVC pipes, dimensions variable, 2021 (Photo by Bluewein)

Bodily Pressure Test_None, PVC pipes, dimensions variable, 2021 (Photo by Bluewein)

Bodily Pressure Test_None, PVC pipes, dimensions variable, 2021 (Photo by Bluewein)

Bodily Pressure Test_None, PVC pipes, dimensions variable, 2021 (Photo by Bluewein)

Bodily Pressure Test_None, PVC pipes, dimensions variable, 2021 (Photo by Bluewein)

Bodily Pressure Test_None, PVC pipes, dimensions variable, 2021 (Photo by Bluewein)

Bodily Pressure Test_None, PVC pipes, dimensions variable, 2021 (Photo by Bluewein)

Bodily Pressure Test_None, PVC pipes, dimensions variable, 2021 (Photo by Bluewein)

Bodily Pressure Test_None, PVC pipes, dimensions variable, 2021 (Photo by Bluewein)

The Stand-in Project—Muda Muda Muda!, useless box, mechanical counter, discarded works by the artist, performance documentation, 2 min 10 sec, 2022 (Photo by Lai, Pei-Chun)

The Stand-in Project—Muda Muda Muda!, useless box, mechanical counter, discarded works by the artist, performance documentation, 2 min 10 sec, 2022 (Photo by FIXER Photographic Studio)

The Stand-in Project—Muda Muda Muda!, useless box, mechanical counter, discarded works by the artist, performance documentation, 2 min 10 sec, 2022 (Photo by Lai, Pei-Chun)

The Stand-in Project—Muda Muda Muda!, useless box, mechanical counter, discarded works by the artist, performance documentation, 2 min 10 sec, 2022 (Photo by Lai, Pei-Chun)

The Stand-in Project—Muda Muda Muda!, useless box, mechanical counter, discarded works by the artist, performance documentation, 2 min 10 sec, 2022 (Photo by Lai, Pei-Chun)

The Stand-in Project—Muda Muda Muda!, useless box, mechanical counter, discarded works by the artist, performance documentation, 2 min 10 sec, 2022 (Photo by Lai, Pei-Chun)

The Stand-in Project—Muda Muda Muda!, useless box, mechanical counter, discarded works by the artist, performance documentation, 2 min 10 sec, 2022 (Photo by Lai, Pei-Chun)

The Stand-in Project—Muda Muda Muda!, useless box, mechanical counter, discarded works by the artist, performance documentation, 2 min 10 sec, 2022

The Stand-in Project—Muda Muda Muda!, useless box, mechanical counter, discarded works by the artist, performance documentation, 2 min 10 sec, 2022

Patching a Space_Changhua, lemon sandwich cookies, epoxy resin, dimensions variable, 2022 (Photo by Bluewein)

Patching a Space_Changhua, lemon sandwich cookies, epoxy resin, dimensions variable, 2022 (Photo by Bluewein)

Patching a Space_Changhua, lemon sandwich cookies, epoxy resin, dimensions variable, 2022 (Photo by Bluewein)

Patching a Space_Changhua, lemon sandwich cookies, epoxy resin, dimensions variable, 2022 (Photo by Bluewein)

Patching a Space_Changhua, lemon sandwich cookies, epoxy resin, dimensions variable, 2022 (Photo by Bluewein)

Patching a Space_Changhua, lemon sandwich cookies, epoxy resin, dimensions variable, 2022 (Photo by Bluewein)

Patching a Space_Changhua, lemon sandwich cookies, epoxy resin, dimensions variable, 2022 (Photo by Bluewein)

Patching a Space_Changhua, lemon sandwich cookies, epoxy resin, dimensions variable, 2022 (Photo by Bluewein)

Patching a Space_Changhua, lemon sandwich cookies, epoxy resin, dimensions variable, 2022 (Photo by Bluewein)